But beyond that, Tchia will also play in rhythm game segments for key story moments – in one moment, she played along with her friend singing. There are songs to change the weather, to summon animals you can use for soul jumping, to shift the time of day, and more. Tchia plays ukulele, and can pull it out anywhere and play a little tune that isn't unlike Link’s ocarina, with specific combinations of buttons corresponding to different songs. It’s a fun combat trick, and while I’m curious if the fiery focus will wear out its welcome over the full course of Tchia, there’s enough going on in terms of soul jumping variations that I have reason to expect there’s more to this unusual combat system than what I’ve seen.Īfter exploring and burning my foes to cinders, the third main highlight of Tchia was its musical moments. We played a few rounds of cat and mouse before I took over a coconut, rolled it into the still smoldering blaze from my initial incendiary endeavors, lit myself up, and rammed into the remaining two enemies. I leapt into an oil lantern in the middle of the camp and immediately set one of three foes ablaze, but the other two were alerted to my presence and eventually chased me out of the lantern. Tchia herself doesn’t use weapons from what I can tell, but paper enemies are fortunately susceptible to being burned.
And with soul jumping, movement around the island was easy and free flowing, which enticed me to explore even more.Īt the end of a path through a canyon I stumbled upon an encampment of the paper enemies that kidnapped Tchia’s father. Dotted across the island, I found chests with collectible cosmetics and other little trinkets, minigames, and other points of interest worth going out of my way for, though oftentimes the view from the top of the cliff I had climbed to was enough to warrant the journey up. Much of my time outside of other creatures’ bodies was spent exploring a beautiful island, leaping off cliffs and drifting down with my glider, climbing palm trees, and sailing about on a raft that I (clumsily at first) controlled by physically swapping Tchia between unfurling the sail and adjusting the rudder to steer.
If soul jumping made Tchia feel more like prop hunt, then it was prop hunt set in The Legend of Zelda: The Wind Waker.
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